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I was never really fervent in drinking alcohol and after catching “Days of Wine and Roses” on gradual night television I knew I was never going to drink, never gather drunk, and never ruin up like the character of Joe Clay, played by the slack Jack Lemmon. Joe is in public relations and cannot have a righteous time unless he is drinking. He meets up with Kirsten Arnesen (Lee Remick), and informed she does not drink but loves chocolate, he orders her a Brandy Alexander. Joe and Kirsten marry, although her father Ellis Arnesen (Charles Bickford), is not determined he approves. Joe’s alcoholism finally costs him his job and by then Kirsten is boozing honest as grand. In one of the most noxious scenes in movie history, Joe destroys the Arnesen greenhouse, looking for the bottles of booze he has buried with one of the plants. With the assist of A.A. Counselor Jim Hungerford (Jack Klugman), Joe finally starts to gather his life together. But Kirsten cannot do the same, even for the sake of their daughter Debbie.
With Lemmon’s death a lot of his conventional movies are suddenly popping up on cable television. I watched “Days of Wine and Roses” again last night and it is every bit as worthy and as horrific as I remember. No other film has made the life of an alcoholic glimpse so hopeless, not “Leaving Last Vegas” and certainly not “Lost Weekend.” Lemmon and Remick were both nominated for Oscars for their performances, while Henry Mancini’s title song won the Academy Award. Charles Bickford repeated the role he originated in the “Playhouse 90″ version aired in 1958, which was directed by James Frankenheimer. Blake Edwards directed this 1962 movie because the studio told Frankenheimer he could not mutter a comedy like this film. Both scripts were written by J. P. Miller. Bottom line: Nobody who ever watches this movie will ever forget it.
Joe Clay (Jack Lemmon) is an up-and-coming Public Relations agent in the era of the three-martini lunch and “drinks with the boys” following the workday. While providing a client with, literally, a boatload of girls, Joe meets receptionist Kirsten Arnesen (Lee Remick), a righteous girl from a stable country upbringing.
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Joe introduces Kirsten to alcohol in the execute of a Brandy Alexander, and before long the two tumble in cherish and marry. Joe provides a generous living for his wife and fresh baby daughter, but becomes miserable from the serene family life and a baby that takes up all of his wife’s attention. In a truly gut-wrenching scene, Joe berates and completely degrades Kirsten for not being any fun anymore, throwing a temper tantrum while drunk and demanding that she terminate nursing her acquire baby (mammary envy) because its going to end her shape. A very poignant and heart braking scene.
Kirsten is deeply in cherish with Joe, and concedes to his demands to “loosen up a minute and be fun again”, which means having a couple of drinks with him. It isn’t long before Kirsten is drinking all the time, and very current of women in the early sixties, Kirsten starts smoking (probably to abet lose weight, though this isn’t mentioned beyond Joe’s comment about her shape) .
Buy,Download, Or Stream Days of Wine and Roses! Click Here
Buy,Download, Or Stream Days of Wine and Roses! Click Here
Joe’s career slides as his drinking increases, causing him to be gradual for work and upsetting his clients. His company assigns him to a lower-level client in far away Houston. While Joe tries to do his job there, Kirsten sets their apartment on fire from drinking and smoking. Joe is fired, and not long afterward Joe has an epiphany. He is a bum, and his wife is a bum, and they need to discontinuance drinking.
Kirsten’s father takes the struggling couple into his home where he runs a nursery. After a couple of months sober, Joe and Kirsten drop off the wagon together in a riotous binge in their room. A second very poignant incident follows where Joe trashes his father-in-law’s nursery looking for the bottle he hid. This scene may seem overdone at first, but honest tune into one episode of ‘Cops’ and you will leer how well Jack Lemmon played this scene.
This time, Joe winds out in the hospital going through some overblown withdrawal symptoms, and it is here he meets Jim Hungerford (Jack Klugman) from Alcoholics Anonymous. Once in AA, Joe tries to fight his disease, while Kirsten remains in absolute denial of being an alcoholic. You must remember that this movie was made in 1962, and there was quite a stigma attached to being an alcoholic, the 60’s version of a scarlet letter.
There is no happily-ever-after in this movie. Though made in 1962, it is tranquil the best of the ‘alcoholic’ movies ever made. ‘Leaving Las Vegas’ certainly portrayed a down-and-out alcoholic, but the character Ben from that unique portrayal wanted to die. ‘Days Of Wine And Roses’ is the narrative of two people’s struggle against alcoholism, not their submission to it.
There is nothing outdated about this movie except the fashion; times change, behaviors don’t. Kirsten’s confession that she “objective wants things to see prettier than they are” rings so factual to addiction in any fabricate or from any era. This movie is about people and the disease, not the time-period, so it stands up to any of the recent day addiction stories.
‘Days Of Wine And Roses’ is a good classic, a timeless fraction that is both gloomy and engaging. Engage a hasty sign of the fact that in Joe and Kirsten’s first apartment, the bar was moral outside the baby’s room. I conception that was a bit ironic.
If you care for addiction movies, original pieces like ‘Leaving Las Vegas’, ‘Requiem For A Dream’, ‘Spun’, or ‘Fear And Loathing In Las Vegas’, you will adore ‘Days Of Wine And Roses’. Like!
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