On Golden Pond Review At Amazon.
Dec/090
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On Golden Pond Review At Amazon..
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This review refers to the VHS edition …..
Veteran age and all the problems that go with it, have turned Norman Thayer(Henry Fonda) into a curmudgeon.He is forgetful and thoughts of dieing are foremost in his mind. It doesn’t seem to bother his wife Ethel distinguished though(Katherine Hepburn) .Always in high spirits and gay to be alive. Her biggest woe is worrying about him. The Thayers are spending their 48th year at their summer home On Golden Pond. It will be Norman’s 80th birthday, and joining in the celebration will be their daughter Chelsea(Jane Fonda), who Norman has never been able to connect with emotionally.
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Chelsea brings with her to the lake her fiance(Dabney Coleman) and his 13 year outmoded son Billy(Doug McKeon) who has some emotional problems of his absorb. Billy is left to employ the summer with the older couple, which was not what the 13 year mature had in mind for a fun vacation.Norman and Billy develop an unusal bond over the summer as Ethel watches her husband’s renewed zest for life.
The film is one of those that the expression “I laughed. I cried” really is factual. The yarn is an emotional rollercoaster, that you’ll want to glimpse over and over.Henry Fonda and Katherine Hepburn shine and both recieved best Acting awards in 1981 for their on cloak magic. All I could watch in the scenes with Henry and Jane together was appreciate. Even when their characters were at odds they too loved each other, and managed to work through it.An improbable acting job by the young Doug McKeon, and Coleman noble as he goes toe to toe with Henry Fonda.
The music and the scenery are as resplendent as the movie. The pond with the sun colorful, the woodsy areas, the loons ever indicate, were a joy to peer. Directed by Note Rydell, who seemed to get the beauty of life. Fonda’s last film, he left us with one that we can adore for years to advance.
Kick befriend and be pleased………Laurie
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I’ve seen On Golden Pond at least thirty times since its release and never catch tired of it. Henry Fonda is colorful as the crabby Norman Thayer and he shines in his last mask performance. His interplay with Katharine Hepburn reminds one of the rare chemistry she enjoyed with Spencer Tracy in all the magical movies they made together. Everything Fonda says in this movie is steady and believable, you’ll never rep him overacting or playing one fraudulent trace. It would be difficult to imagine anyone else in this role.
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Fonda’s scenes with daughter Jane are particularly arresting considering their strained valid life relationship. Their last embrace at the conclusion of the film will tug at your heart strings. It’s a poignant and wistful search for at growing faded and facing death, two poor but unavoidable subjects. Fonda and Hepburn are literally perfect in this film, which is also enhanced by a glorious, haunting soundtrack. This is a film you can gaze again and again and never weary of it.
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